SonicScoop Redesigns Site, Launches New “SonicScientist” Section
The 21st century keeps on unfolding, and so does SonicScoop. This week, we’ve launched a fresh new redesign and are happy to announce a whole new section on the website, called “SonicScientist”....
View ArticleTascam Now Shipping US-2×2 and US-4×4 USB Audio/MIDI Interfaces
Tascam adds two interfaces to their portable line, both equipped with their Ultra-HDDA microphone preamps (hybrid XLR/TRS for the 2×2). The US-2×2 and US-4×4 can record up to up to 96kHz/24-bit via...
View ArticleDawner Prince Effects Launches Viberator Stereo Vibe Pedal
Straight from Croatia, Dawner Prince Effects wants to get your attention. SonicScoop sez – attention granted! With the shipping of the Viberator, created to give a recharge to the beloved Uni-Vibe...
View ArticleNYC Event: Attend the BB4 Studios Debut – Brooklyn, 10/23
An enticing new audio facility is set to arrive in Brooklyn. But don’t expect a low-key intro for this studio – BB4 is set to make a splash on impact. Join BB4 as they hit the ground running on October...
View ArticleAntelope Audio Introduces MP32: 32 Channels of Rack-Mount Preamps
Antelope Audio has announced the MP32 as part of their product unveiling for the 137th AES convention. The signal chain is designed to be open and transparent, complementing their Orion 32...
View ArticleRenew Your Room Acoustics, Part 1: Waves and Pressure
The energy that we put into our listening rooms, home theaters, and professional recording studios comes in two main forms. We have waves of energy and we have rays. For purposes of this discussion and...
View Article137th AES Convention: G-Technology and Gobbler Partner For Streamlined Audio...
It’s no secret that the entertainment industry works daily with massive amounts of data. Some of those users prefer external drives, and some prefer cloud storage. Well, G-Technology, and Gobbler plan...
View ArticleApogee Introduces New Ensemble
Apogee Electronics has announced their new Ensemble 30×34 Thunderbolt 2 audio interface for Mac-based studios. New Apogee Ensemble ($2,495). Click to enlarge. With this latest iteration, Apogee has...
View ArticleIs the Mastering Engineer Still Relevant?
A Neumann lathe, used to cut master discs for the production of vinyl records. Years ago, the term “Mastering Engineer” was a very literal one. The “M.E.” was simply the person responsible for creating...
View Article137th AES Convention: RTW Mastering Tools PlugIn Makes US Debut
RTW is a software developer with nearly 50 years of combined audio software and hardware under their belt. Based out of Cologne, Germany, they are officially introducing their RTW Mastering Tools...
View ArticleChandler Limited Introduces REDD.47 Tube Preamp – Latest Addition to Abbey...
There’s the music that came out of Abbey Road, and then there’s the gear. The former is available to all the world, while the latter has been a pleasure reserved for the select few. Happily, one of the...
View ArticleSSL Debuts New Live L300 Compact Console, V2.5 Software
Small can be more: The Solid State Logic Live console line is the latest proof. That’s because SSL has just announced the new SSL Live L300 console, a compact addition to their live console lineup. It...
View Article137th AES in Review: What Happened in the Return to Los Angeles?
AES in LA rolls off the tongue nicely…and it sounds like the chorus of a breezy hit tune in the making. The Los Angeles Convention Center was the AES mothership for 2014.Anyone want to collaborate on...
View ArticleMixer Profile: John O’Mahony On Mixing Metric, Synthetica
Over a decade ago, producer/mixer John O'Mahony crossed paths with a new band called Metric - four albums later, they've made Synthetica.
View ArticleMixer Profile: John O’Mahony On Mixing Metric, Synthetica
GREENWICH VILLAGE: Walk into John O’Mahony’s new mix room in New York’s venerable Electric Lady Studios and you’re glimpsing into the hybrid analog/digital mind of a modern-day mixer. Along with the...
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